I didn't get to make any serious images this week. I had four uninterrupted days with my boys and there just wasn't time to sneak away to focus on composition, camera settings and find the sweet light that comes at sunrise or sunset. Instead, we had a great time enjoying the new snowfall. As I often do, I grabbed my camera and made a bunch of still images and video clips of the kids taking daredevil runs on their snowboards and breaking in the new banked-corner sled run we built.
Tonight I came home to a quiet house. I put on a TEDxTalk by Chris Orwig to watch while I zoned through a work out. Chris is an inspiring photographer and educator from California. The talk is titled "Finding the Magnificent in the Mundane". I had seen it before, but I thought I'd watch again.
It's funny how things come together. About a third of the way through his presentation, Chris engages a theme that runs through a lot of his work. He typically quotes French photographer Marc Riboud in this regard... " Taking pictures is savoring life intensely, every hundredth of a second."
In this presentation, he doesn't quote Riboud, but talks about how the camera is somehow about savoring life by slowing or stopping moments that otherwise would slip away. He illustrates the point with a striking image he made underwater in a pool. His young daughter's impeccable blue eyes and closed mouth smile are engaging and it's a beautiful photograph by any measurement.
And then I realized... I did make serious images this week. Thank you boys! Thank you Chris Orwig.
Wednesday, February 20, 2013
Saturday, February 16, 2013
Saturday, February 9, 2013
Are We Losing Our Memories?
Are we losing our memories? I know I am, but that's because I just turned 47 and I don't remember things like I used to. But that is not what I'm talking about here. What I want you to know is that there is an amazing irony that is playing out right now and it's robbing us of our collective memory, our history. Sounds scary doesn't it? I don't mean to be
dramatic, but it's true. Hear me out.
When my sister passed, I inherited some boxes of old family photos. I've really only scratched the surface of what's scattered loose in old Schlitz boxes, folios from long gone photography studios and the cracked pages of photo albums. There are hundreds of images. Photos of people I can identify and some that I can not. It's a reflective thing to look through these images of days gone by made even more so by the loss of loved ones.
The legacy of family pictures made me think about the history that all photography captures. I thought of my own children and the thousands of digital mages I've made of them in their short lives and wondered what will happen to those photographs.
I started poking around on the Internet and confirmed the obvious. The number of photographs made has risen at a remarkable rate. Four times as many photographs are taken today as just ten years ago. That makes sense. Instant gratification digital cameras, high quality cell phone cameras and a resurgence of DSLR use among consumers means a camera is always at the ready.
Social media is the home for most of these images. In fact, the largest photo archive in history has been created in the form of facebook. A truly amazing amount of imagery resides there. Last year, Facebook noted that 3,000 pictures were uploaded every second. That's more than 250 million images every day totaling 100 PB (100,000,000 GB) of photos and videos online. Instagram, barely two years into it's existence, estimates hosting over1 billion images from it's 40 million plus users. Add to these numbers the many, many images sitting on people's digital cameras and cell phones that never make it off the devices and it seems like technology has brought us the ability to cherish these memories forever and the preservation of the story of our lives is more secure than ever.
Facebook is holding over 10,000 times the 14 million images curated at the Prints and Photographs Division of the Library of Congress. And there's the rub... while more images than ever are being created, will they be around? While I wish Mark Zuckerberg much success and longevity, facebook could end up like many Internet companies... out of business next year. Or at least irrelevant. Think MySpace. With the explosion of digital media housed on social networking sites are we just a bad day at the office away from losing our collective history?
If this isn't resonating for you, think about a practical example... Ken Burns' profound documentary "The Civil War". We've all seen it and, except for the history majors and civil war re-enactment types in the group, it probably serves as the basis of our understanding of that period in our nation's history. But where would Burns have been without the visual documentation that is the basis of the documentary?
I make this point not to spread gloom and doom. And I'm no luddite... I'm fully on board with technology. I don't shoot any film images anymore and my hundreds of CD's are now on a hard drive. I'm writing a call to action. There are so many things we can do to hold on to the amazing documentation that the digital media explosion has created. Join me in ensuring our visual legacy is protected. Take a look at the list below and do at least three of these things this week. The Ken Burns of the year 2063 will thank you.
1. Don't be content to let your photos sit on your cell phone. Get them to a hard drive and print a few. Even if you throw them that Schlitz box I was talking about.
2. Print an extra copy and give it to a relative or friend. They'll feel great getting the image and think your swell for doing it.
3. Understand that digital media isn't going away and figure out how you will archive it. Back up your computer and make sure your photos are part of that back up. Anticipate that the computer you're using today won't likely boot up someday. File formats can change as technology grows. Realize you'll need to migrate this archive as technology changes. If you have photos online, then the same applies. These services will change and disappear so be prepared to move your photos and have a back-up.
4. Make a book. Sounds like a big deal, but it isn't. It's easy and fun. Five years ago I used a service called Blurb to make a hard cover book of photos of my son and called it "Boys' Life". I have two sons now and"Boys' Life Five" rolled off the presses in 2012. In hindsight, I'm so glad I started this tradition to preserve the best photos of my kids in a printed medium. I know they will appreciate it long after I'm gone. I can't recommend doing this enough and I highly recommend Blurb.
5. Hire a photographer to make portraits of your family and buy prints from them. It's a great way to support a local small business and you'll love the result. Better yet, do this annually. If you don't like the traditional portrait on a painted background, that's ok. Maybe you hate how you look in photos. Don't let that stop you. Photographers are there to make you look good and in portraits of all different styles that are natural and reflect your family as it is.
6. If you have a chance to contribute to a photo archive project, do so! There are some great preservation projects out there. For example, my hometown has a long legacy as a paper mill town and Plymouth State University has started an amazing archive of images called Beyond Brown Paper. I've found pictures of both my grandfathers on this website.
My paternal grandfather Joe Viger is on the far right.
Joseph Urbain Ruel, my maternal grandfather. I don't know why I know my grandfather Ruel's middle name. But Urbain is so beautifully French Canadian, I had to include it.
When my sister passed, I inherited some boxes of old family photos. I've really only scratched the surface of what's scattered loose in old Schlitz boxes, folios from long gone photography studios and the cracked pages of photo albums. There are hundreds of images. Photos of people I can identify and some that I can not. It's a reflective thing to look through these images of days gone by made even more so by the loss of loved ones.
The legacy of family pictures made me think about the history that all photography captures. I thought of my own children and the thousands of digital mages I've made of them in their short lives and wondered what will happen to those photographs.
I started poking around on the Internet and confirmed the obvious. The number of photographs made has risen at a remarkable rate. Four times as many photographs are taken today as just ten years ago. That makes sense. Instant gratification digital cameras, high quality cell phone cameras and a resurgence of DSLR use among consumers means a camera is always at the ready.
Social media is the home for most of these images. In fact, the largest photo archive in history has been created in the form of facebook. A truly amazing amount of imagery resides there. Last year, Facebook noted that 3,000 pictures were uploaded every second. That's more than 250 million images every day totaling 100 PB (100,000,000 GB) of photos and videos online. Instagram, barely two years into it's existence, estimates hosting over1 billion images from it's 40 million plus users. Add to these numbers the many, many images sitting on people's digital cameras and cell phones that never make it off the devices and it seems like technology has brought us the ability to cherish these memories forever and the preservation of the story of our lives is more secure than ever.
Facebook is holding over 10,000 times the 14 million images curated at the Prints and Photographs Division of the Library of Congress. And there's the rub... while more images than ever are being created, will they be around? While I wish Mark Zuckerberg much success and longevity, facebook could end up like many Internet companies... out of business next year. Or at least irrelevant. Think MySpace. With the explosion of digital media housed on social networking sites are we just a bad day at the office away from losing our collective history?
If this isn't resonating for you, think about a practical example... Ken Burns' profound documentary "The Civil War". We've all seen it and, except for the history majors and civil war re-enactment types in the group, it probably serves as the basis of our understanding of that period in our nation's history. But where would Burns have been without the visual documentation that is the basis of the documentary?
I make this point not to spread gloom and doom. And I'm no luddite... I'm fully on board with technology. I don't shoot any film images anymore and my hundreds of CD's are now on a hard drive. I'm writing a call to action. There are so many things we can do to hold on to the amazing documentation that the digital media explosion has created. Join me in ensuring our visual legacy is protected. Take a look at the list below and do at least three of these things this week. The Ken Burns of the year 2063 will thank you.
1. Don't be content to let your photos sit on your cell phone. Get them to a hard drive and print a few. Even if you throw them that Schlitz box I was talking about.
2. Print an extra copy and give it to a relative or friend. They'll feel great getting the image and think your swell for doing it.
3. Understand that digital media isn't going away and figure out how you will archive it. Back up your computer and make sure your photos are part of that back up. Anticipate that the computer you're using today won't likely boot up someday. File formats can change as technology grows. Realize you'll need to migrate this archive as technology changes. If you have photos online, then the same applies. These services will change and disappear so be prepared to move your photos and have a back-up.
4. Make a book. Sounds like a big deal, but it isn't. It's easy and fun. Five years ago I used a service called Blurb to make a hard cover book of photos of my son and called it "Boys' Life". I have two sons now and"Boys' Life Five" rolled off the presses in 2012. In hindsight, I'm so glad I started this tradition to preserve the best photos of my kids in a printed medium. I know they will appreciate it long after I'm gone. I can't recommend doing this enough and I highly recommend Blurb.
5. Hire a photographer to make portraits of your family and buy prints from them. It's a great way to support a local small business and you'll love the result. Better yet, do this annually. If you don't like the traditional portrait on a painted background, that's ok. Maybe you hate how you look in photos. Don't let that stop you. Photographers are there to make you look good and in portraits of all different styles that are natural and reflect your family as it is.
6. If you have a chance to contribute to a photo archive project, do so! There are some great preservation projects out there. For example, my hometown has a long legacy as a paper mill town and Plymouth State University has started an amazing archive of images called Beyond Brown Paper. I've found pictures of both my grandfathers on this website.
My paternal grandfather Joe Viger is on the far right.
Joseph Urbain Ruel, my maternal grandfather. I don't know why I know my grandfather Ruel's middle name. But Urbain is so beautifully French Canadian, I had to include it.
Saturday, January 26, 2013
The Little Queen City
The SEE Science Center in Manchester, NH features the LEGO Millyard Project. The project represents Manchester's Amoskeag Millyard as it might have looked circa 1900. The Amoskeag Manufacturing Company was commonly recognized as the largest textile manufacturer in the world by 1915.
City streets complete with a parade, railroad yards, the Pine Island Amusement Park, textile machines and worker housing is all part of this amazing display that is the largest permanent LEGO installation at minifigure scale in the world.
Images made with iPhone 4s and Snapseed.
Tuesday, January 22, 2013
My Second Shooter
This time of year, I love to get out and make photos at the Granite State Snowshoe Series races.
This past weekend was the 4 mile Whitaker Woods Snowshoe Race in North Conway, NH. I had my four year old that morning, but like any creative parent, saw opportunity in what could have been a barrier to making the race. For the first time ever Joe Viger Photography was going to have a second shooter to capture the action.
My kids have been around cameras plenty. I harass them for photos often. We have point and shoot cameras around the house and they use them all the time. But while Turner was familiar with the camera, I envisioned frustrations and cold hands.
But, I hoped for the best, bundled up the boy and off we went. In the end, my second shooter for the day was a champ. I'm a lucky Dad.
More so, he captured remarkable shots. Of course, I'm his dad... I'm going to say that my kids is exceptional. Take a look at this sample straight out of the camera and let me know what you think.
For the cynics, I didn't touch Turner's camera except to put in my pocket when the lure of playing in the snow became too great to make photos any longer.
And if you're curious, Turner's images are available for sale. I think my image price list x2 is fair... after all he made these photos with mittens on. I still don't know how he was depressing the shutter.
Dad confers with Jim Johnson who later took 1st place on the route of the course.
A fast pace out of the start!
Self portrait of the artist
Dad in action
Scott Mason of Scott Mason Photography fame in front the lens for a change
I made the same, exact shot. The kid has an impeccable eye for perspective.
This past weekend was the 4 mile Whitaker Woods Snowshoe Race in North Conway, NH. I had my four year old that morning, but like any creative parent, saw opportunity in what could have been a barrier to making the race. For the first time ever Joe Viger Photography was going to have a second shooter to capture the action.
My kids have been around cameras plenty. I harass them for photos often. We have point and shoot cameras around the house and they use them all the time. But while Turner was familiar with the camera, I envisioned frustrations and cold hands.
But, I hoped for the best, bundled up the boy and off we went. In the end, my second shooter for the day was a champ. I'm a lucky Dad.
More so, he captured remarkable shots. Of course, I'm his dad... I'm going to say that my kids is exceptional. Take a look at this sample straight out of the camera and let me know what you think.
For the cynics, I didn't touch Turner's camera except to put in my pocket when the lure of playing in the snow became too great to make photos any longer.
And if you're curious, Turner's images are available for sale. I think my image price list x2 is fair... after all he made these photos with mittens on. I still don't know how he was depressing the shutter.
My four year old second shooter ninja.
Dad confers with Jim Johnson who later took 1st place on the route of the course.
A fast pace out of the start!
Self portrait of the artist
Dad in action
Scott Mason of Scott Mason Photography fame in front the lens for a change
I made the same, exact shot. The kid has an impeccable eye for perspective.
Friday, January 4, 2013
Best of 2012 Part IV: People
This is the final installment of my Best of 2012. As I said in my first post, looking back on 2012 my work in the last year can be grouped into four categories. I've already shared with you my favorite landscape, iPhone and mountain running photos of the 2012. The last subject that has been a focus for me this year are photographs of people.
My pursuit of interesting photos of people included the things I've always done like trying to artfully document the lives of my amazing children and senior portraits. In 2012, I wanted to do portraiture and, as a result, I started doing studio work and initiated an ongoing personal project called the Mountain Runner Portrait Project. I'm sure you'll see more of this work in 2013.

Tommy Manning, US Mountain Running team

Chris Dunn of Acidotic Racing

Leah Castellini

Katherine Violette

Faith

Celestine

Scarecrow

Jess Akara
My pursuit of interesting photos of people included the things I've always done like trying to artfully document the lives of my amazing children and senior portraits. In 2012, I wanted to do portraiture and, as a result, I started doing studio work and initiated an ongoing personal project called the Mountain Runner Portrait Project. I'm sure you'll see more of this work in 2013.

Tommy Manning, US Mountain Running team

Chris Dunn of Acidotic Racing

Leah Castellini

Katherine Violette

Faith

Celestine

Scarecrow

Jess Akara
Thursday, January 3, 2013
Best of 2012 Part III: Mountain Running
Photographing sporting events started slow in 2012 as the snowshoe racing season never really got off the ground with lack lustre snowfall. The 2012 mountain running season was as exciting as ever with both the men's and women's US National Mountain Running Teams being selected in two races 20 minutes from where I live in sweet home New Hampshire.
My personal interest in mountain and trail running continues to grow with beautiful venues and inspiration from both the physical prowess and down to earth kindness of the athletes. I also had the good fortune to have several photos published for a couple of different running outlets both online and in print. This year, I not only documented the races but also launched a new project called the Mountain Runner Portrait Project... A look at these fast athletes standing still.
I hope you enjoy my favorite mountain running images of 2012.

Italy's Marco De Gasperi, 6 time World Mountain Running Champion
Mt Cranmore Hill Climb Race Conway, NH

Max King, 2011 US and World Mountain Running Champion
Mt. Washington Road Race Mt. Washington, NH

The start of the 2012 Loon Mountain Race and the Women's National Mountain Running Championship. Lincoln, NH

Jim Johnson wins the 2012 Loon Mountain Race in Lincoln, NH

Stevie Kremer
Loon Mountain Race and the Women's National Mountain Running Championship. Lincoln, NH

Leslie O'Dell Beckwith
Cranmore Mt Hill Climb Conway, NH

Laura Haefeli, Mt Washington Women's Masters course record holder.
Mt Washington Road Race Mt. Washington, NH

Jim Johnson, winner, congratulates Kris Freeman, US Nordic Olympian.
Loon Mountain Race in Lincoln, NH

Krisztina Dearborn, 2011 US Junior Mountain Team Member
Thanksgiving Day 5k Madison, NH

Tommy Manning
Mt. Washington Road Race Mt. Washington, NH

Eric Blake and Glenn Randall
Mt. Washington Road Race Mt. Washington, NH

My personal interest in mountain and trail running continues to grow with beautiful venues and inspiration from both the physical prowess and down to earth kindness of the athletes. I also had the good fortune to have several photos published for a couple of different running outlets both online and in print. This year, I not only documented the races but also launched a new project called the Mountain Runner Portrait Project... A look at these fast athletes standing still.
I hope you enjoy my favorite mountain running images of 2012.

Italy's Marco De Gasperi, 6 time World Mountain Running Champion
Mt Cranmore Hill Climb Race Conway, NH

Max King, 2011 US and World Mountain Running Champion
Mt. Washington Road Race Mt. Washington, NH

The start of the 2012 Loon Mountain Race and the Women's National Mountain Running Championship. Lincoln, NH

Jim Johnson wins the 2012 Loon Mountain Race in Lincoln, NH

Stevie Kremer
Loon Mountain Race and the Women's National Mountain Running Championship. Lincoln, NH

Leslie O'Dell Beckwith
Cranmore Mt Hill Climb Conway, NH

Laura Haefeli, Mt Washington Women's Masters course record holder.
Mt Washington Road Race Mt. Washington, NH

Jim Johnson, winner, congratulates Kris Freeman, US Nordic Olympian.
Loon Mountain Race in Lincoln, NH

Krisztina Dearborn, 2011 US Junior Mountain Team Member
Thanksgiving Day 5k Madison, NH

Tommy Manning
Mt. Washington Road Race Mt. Washington, NH

Eric Blake and Glenn Randall
Mt. Washington Road Race Mt. Washington, NH

Mountain Runner Portrait Project #3: Mountain Gods (and a Goddess) at the 2012 Mt Washington Road Race including several US Mountain Running Team members, former Mt Washington Winners, US Mountain Running champs and a World Mountain Running champ. Tommy Manning, Rickey Gates, Jared Scott, Brandy Erholtz, Max King and Jason Bryant.
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